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| | CD | | CDCR 145CD |
$23.fifty LOW STOCK LEVEL La Ragazza Di Trieste (aka "The Girl from Trieste" - "La fille de Trieste") is a drama film directed in 1982 by Pasquale Festa Campanile starring Ornella Muti, Ben Gazzara, Jean-Claude Brialy, Mimsy Farmer, Andréa Ferréol, and William Berger. At the time, a 33rpm (New Polaris, Pol / BP 733) was printed in Italy and reissued in Switzerland by Milan (A CH 002). Unfortunately, the anthology main was lost, but information technology was possible to reassemble it using the beginning-generation stereo masters of the original session. Autonomously from some tracks that were identical to those from the session, nosotros also had to edit most of the pieces that Riz Ortolani had assembled by editing small takes together. Ultimately, the 10 tracks from the vinyl were rescued in excellent stereo audio, and in the session masters, Beat Records discovered twelve unreleased tracks that bring this CD set to a total elapsing of just around 52 minutes. This soundtrack once once more highlights the whole romantic side of Riz Ortolani, certainly one of the greatest melodists in the earth. Alas, some other CD joins Ortolani'due south ever-growing discography. Mastering and liner notes by Claudio Fuiano; graphic layout by Daniele De Gemini. 12-page booklet. |
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Artist | Title | Format | Characterization | Catalog # |
| I Guerrieri Dell'anno 2072 - La Casa Sperduta Nel Parco | 2CD | | BCM 9586CD |
Beat Records releases a tribute to the cinema of Lucio Fulci and Ruggero Deodato with this deluxe edition of the scores for I Guerrieri Dell'anno 2072 (Lucio Fulci, 1984) and La Casa Sperduta Nel Parco (Ruggero Deodato, 1980) past the immortal maestro of Italian and international film music, Riz Ortolani. These scores represent the two sides of the authorial money of the composer, who provided the thriller starring David Hess with an extremely melodic soundtrack that highlights the ferocity of the scenes at a counterpoint level, similar to the style he used for Carnivorous Holocaust (1980). Preceding his collaboration with Deodato, Ortolani scored the Fulci film with stone vibes and a strong backdrop of electronics. These ii wonderful soundtracks finally bachelor on CD in this deluxe edition that highlights the two musical styles beyond 2 discs, unrelated in genre but equanimous past the same classy writer. Edition of 500, mastered past Claudio Fuiano, with dual cover fine art by Daniele De Gemini and liner notes by Marco Ferretti. |
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Creative person | Title | Format | Label | Itemize # |
| | CD | | DGST 046CD |
Digitmovies release the consummate edition original soundtrack by Riz Ortolani for the moving picture Gegè Bellavita (aka "Genarino, hombre objeto femenino") for the absolute beginning fourth dimension on CD. Riz Ortolani composed "Nun Me Scuccià", the brilliant and funky primary theme sung in Neapolitan by the protagonist Flavio Bucci, which describes Gegè's laziness to work and his passion for women. This pleasant motif returns in an instrumental version, alternate with a recurring upbeat tarantella in a popular version, and a romantic beloved theme. Originally C.A.One thousand. published only one single with 2 tracks (tracks 1 and 2). Digitmovies were able to access the masters in stereo from the original recording session, which immune the label to apply everything that had been recorded. This is another CD that enriches the discography of ane of the about beloved composers in the world. |
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Creative person | Title | Format | Label | Catalog # |
| | CD | | DGST 048CD |
Digitmovies release the complete edition original soundtrack past Riz Ortolani for the film Mimi (aka Un dramma borghese) for the first fourth dimension on CD. Riz Ortolani equanimous an orchestral soundtrack with a recurring main theme resembling a children's lullaby which was written for the adolescent girl in the film. It has a dramatic introduction and is and so expanded on with the harpsichord and reprised in unlike versions with oboe, harp, and guitar, giving it a bear upon of magic. The rustic atmosphere is often interrupted past dramatic and mysterious passages (which perfectly evoke the daughter's unhealthy relationship with her father), equally well every bit bizarre music in a pop organization. Digitmovies were able to access the masters in stereo from the original recording session and utilize everything that had been recorded. Here is some other CD that enriches the discography of one of the about dearest composers in the earth. |
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Creative person | Title | Format | Characterization | Catalog # |
| Non Faccio La Guerra, Faccio L'amore | CD | | DGST 044CD |
Digitmovies presents a complete CD edition of Riz Ortolani'due south OST for the moving picture Brand Love, Non War (aka Not Faccio La Guerra, Faccio Fifty'amore) (1966). Ortolani composed a pleasant symphonic OST dominated by a romantic primary theme. It'southward introduced with horns and performed by trumpet and orchestra in the opening credits, and then reprised throughout the soundtrack in a series of captivating variations. The motif is alternated with romantic moods, suspense pieces, jazz and folk music, the brilliant Latin theme for billionaire Don Getullio, and a wild milkshake. Originally C.A.M. had merely released a 45 rpm single with ii mono tracks. For this CD, the masters from the original recording session -- which was entirely in stereo -- were used. |
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Artist | Title | Format | Label | Itemize # |
| Un Caso Di Coscienza -- Non Commettere Atti Impuri | CD | | CFS 003CD |
Beat Records release for the first time on CD -- consummate and in stereo -- the scores by Riz Ortolani for the comedy movies Un Caso Di Coscienza, directed in 1970 past Giovanni Grimaldi, and Not Commettere Atti Impuri, directed in 1971 by Guilio Petroni. For Un Caso Di Coscienza, Ortolani equanimous a wild shake theme that is introduced in the opening titles in a vocal version (with lyrics by the histrion Fiorenzo Fiorentini and orchestra conducted by Natale Massara) performed by Il Supergruppo. This beat motif is revisited throughout the film in different versions and for the party scene in the Baron Favara palace. Ortolani composed other motifs for a magical and mysterious theme with aboriginal flavor for flutes and guitar, another danceable shake, an evocative piece with solo organ for the mass scene, and atmospheric lounge music for romantic or dining sequences. Beat Records used everything that was recorded in stereo during the recording session, stored in the private archives of the Ortolani family unit. The cue sheets indicate that track 12 was considered for a single that was never released, but in 1970 the vocal featured in the opening titles was officially released on Ricordi LP with the title Il Supergruppo, formed by members of other bands known in the '60s: Victor Sogliani of Equipe 84, Mino Di Martino of Giganti, Gianni Dall'Aglio of Iribelli, Petruccio Montalbetti of Dik Dik, and Ricky Gianco who supervised the production of the 33rpm. In that location is also a promotional white-label single featuring the song (aforementioned piece on both sides). For Non Commettere Atti Impuri, Ortolani composed a bright soundtrack that opens with a lively, beat-flavored primary theme introduced in "Titoli Di Testa" and reprised every bit a shake. For the tender love story between the boy and daughter, Ortolani composed a delicate motif with several variations, an agitated theme for psychedelic organ and percussion, religious music for organ and organ with Gregorian chant, and sensual music for the scenes with Barbara Bouchet, The master theme is reprised in the finale with stone guitar and brass, the eye portion featuring drums in a shake tempo with Gregorian chant. The fabric from Non Commettere Atti Impuri comes from the stereo master recordings stored in Trounce Records' archives. Co-produced by Claudio Fuiano for CFSoundtracks and Daniele De Gemini for Vanquish Records. Mastering past Claudio Fuiano and Enrico De Gemini. |
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Artist | Title | Format | Label | Catalog # |
| Perversion Story (aka Una Sull'altra) | LP | | Crimson 257LP |
Last copies of this RSD 2022 release. The original soundtrack recording for this 1969 Italian thriller filmed in San Francisco past cult director Lucio Fulci. The movie has one of the all-time and most well-known scores written by the mighty Riz Ortolani. Groovy and jazzy and different many other Italian soundtracks. Limited edition pinkish vinyl; Special deluxe gatefold sleeve; Edition of 500. |
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Artist | Title | Format | Label | Catalog # |
| | LP | | RED 256LP |
Restocked, last copies/reduced price. Dagored present a vinyl reissue of the soundtrack for Farewell Uncle Tom ("Addio Zio Tom"), consummate with extra tracks. Italian directors Gualtiero Jacopetti and Franco Prosperi gave nascency to a whole new subgenre of "not-fiction" exploitation movies with their 1962 striking Mondo Cane. After repeated accusations of forgery, unethical behaviors, and state of war crimes, they decided to make a movie about the atrocities of American slavery as an apology of sorts. It was 1971 and the film was Farewell Uncle Tom ("Addio Zio Tom"). The famous critic Roger Ebert called the outcome "the most disgusting, cynical insult to decency ever to masquerade as a documentary." Naked flesh, voyeurism, and violence is constantly used but gorgeous photography and a memorable score from Academy Award nominee Riz Ortolani add a sickening slickness to it all: stone-beat tunes mixed with archetype big band themes, waltz, and funny marches and the cute "Oh My Love", with the vocals from Katyna Ranieri, used, among many others by Winding Refn in his cult motion picture Bulldoze (2011). |
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Artist | Title | Format | Label | Catalog # |
| The Etruscan Kills Again (Scarlet And Black Splatter) | LP | | AR 008LP |
"Pointer Records present the original soundtrack to Armando Crispino's gory and unusual archaeology themed giallo The Etruscan Kills Once again, a film also known by its United states theatrical release title The Dead Are Live. Previously unpublished on vinyl, this is something of a hidden gem in the discography of Riz Ortolani, a celebrated composer whose masterful musical scoring immeasurably enhances such top tier Italian shockers equally Cannibal Holocaust, Don't Torture A Ducking and Firm On The Edge Of The Park. Here Ortolani provides a gloriously romantic master theme, distinguished past sweeping strings and plaintive piano, whilst elsewhere the soundtrack ventures into anxiety inducing suspense cues, bittersweet ballads, and even a freewheeling jazz workout. This translucent carmine and black splatter vinyl edition is express to 200 copies and comes with five lobby cards. The recording has been newly mastered from the original analogue tapes by James Plotkin and is presented on 180 gram wax, housed inside a 350gsm sleeve. Featuring newly deputed artwork past Sean Phillips and accompanying film notes past Guy Bartell of Bronnt Industries Kapital." |
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Artist | Championship | Format | Characterization | Catalog # |
| The Etruscan Kills Again (Translucent Orangish) | LP | | AR 008ORG-LP |
Translucent orange vinyl version. "Arrow Records present the original soundtrack to Armando Crispino'southward gory and unusual archaeology themed giallo The Etruscan Kills Again, a film also known past its U.s. theatrical release title The Dead Are Alive. Previously unpublished on vinyl, this is something of a subconscious jewel in the discography of Riz Ortolani, a celebrated composer whose masterful musical scoring immeasurably enhances such top tier Italian shockers as Cannibal Holocaust, Don't Torture A Ducking and Business firm On The Edge Of The Park. Here Ortolani provides a gloriously romantic main theme, distinguished past sweeping strings and plaintive piano, whilst elsewhere the soundtrack ventures into anxiety inducing suspense cues, bittersweet ballads, and even a freewheeling jazz workout.The recording has been newly mastered from the original analogue tapes by James Plotkin and is presented on 180 gram wax, housed within a 350gsm sleeve. Featuring newly deputed artwork by Sean Phillips and accompanying film notes by Guy Bartell of Bronnt Industries Kapital." |
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Artist | Title | Format | Label | Catalog # |
| Ursus Nella Valle Dei Leoni | CD | | CDDM 209CD |
2012 release. Digitmovies present Riz Ortolani's complete original soundtrack for the film Ursus Nella Valle Dei Leoni (aka "Ursus In The Valley Of Lions"). Directed in 1961 past Carlo Ludovico Bragaglia and starring Ed Fury, Moira Orfei, Alberto Lupo, Giacomo Furia, María Luisa Merlo, Michele Malaspina, Mariangela Giordano, Gérard Herter, Orlando Orfei, and Elena Forte. Ursus (Fury) grows up in the middle of a bunch of lions after the evil Ajak (Lupo) has killed his father and thereby usurped the throne. One day he meets a merchant of slaves and offers him his medallion in exchange for a daughter named Ania (Giordano), with which Ursus has fallen in dearest. The medallion gets into the hands of the cruel Ajak who recognizes it and therefore deducts that Ursus is still alive; Ajak fears that the boyfriend may i day claim the throne he is rightfully entitled to and and then decides to search and kill him. After a battle with no holds barred Ursus manages to defeat Ajak and recapture his throne which he will share with his cute Ania. In 1961 when Riz Ortolani was barely 30 years old and at the showtime of his long and distinguished career, he had to face the challenge to compose and conduct a symphonic OST fifty-fifty before he became famous throughout the world with "More" from "Mondo Cane" and one of the best musicians required for the screen in Italia and America. In 1991 Cinevox issued a CD compilation defended to four Ursus movies with music by Roman Vlad, Carlo Savina, Riz Ortolani, and Angelo F. Lavagnino. From Ursus In The Valley Of The Lions, but nearly twelve minutes were selected, for Digitmovies' CD they were able to use the mono master tapes of the original session which allowed us to apply every note recorded at the time (including brass bands, harp, organ, percussion, etc.) Riz Ortolani has written a heroic theme for dominating French horns for Ursus introduced during the main titles and reprised again in the conclusive "terminal". Very dramatic and violent battle music gets alternated with mysterious passages of tension, a delicate beloved theme for Ursus and Ania, funny music, and a military march. A proper rescue and preservation of the Italian silver historic period and of the musical art of Riz Ortolani. |
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Artist | Championship | Format | Label | Catalog # |
| | CD | | CDDM 279CD |
Riz Ortolani (March 25th, 1926, Pesaro - Jan 23rd, 2014, Rome) was writer of hundreds of soundtracks for movie theatre and boob tube and composed an evocative musical score for this motion-picture show. Four selections were published by Cinevox on the album The Soundtracks Of Riz Ortolani For The Film "The Inquiry" By Damiano Damiani. After finding the stereo master tapes from the original recording session, it was possible to assemble a CD of over 45 minutes. Ortolani with his great talent was able to represent both the sacred and the profane of the story, with romantic and nostalgic pieces, mystical Jewish moods of dandy emotional intensity and dramatic boxing songs. This is an OST that absolutely deserved to be rescued and preserved for the record archive, dedicated to i of the biggest names in film music. This OST won the Argent Ribbon in 1987. Directed in 1986 past Damiano Damiani, L'Inchiesta starred Keith Carradine, Harvey Keitel, Phyllis Logan, Lina Sastri, Angelo Infanti, John Forgeham, Georgia Slowe, Erik Schumann, Luciano Bartoli, Philip Locke, Francesco Carnelutti, and Franco Fantasia. Emperor Tiberius sends investigator Titus Valerius Taurus to the Holy Country in order to investigate the mysterious disappearance of the body of a young carpenter named Jesus, whose disciples claim has risen. Taurus is hampered by the governor Pontius Pilate who has sentenced Jesus to expiry. Pontius Pilate's married woman Claudia Procula wants to help Taurus because she is fascinated by Jesus's teachings and leads the investigator to the tomb where the missing body had been replaced. Taurus interrogates Pilate who attempts to put an terminate the investigation by simulating how the body was found. Nevertheless, Taurus realizes he is being deceived and that the body is not that of Jesus. Subsequently various incidents Taurus flees merely is full of doubts and fears and is somewhen sentenced by Pilate to die alone in the desert. |
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Artist | Title | Format | Label | Catalog # |
| La Prima Notte Del Dottor Danieli, Industriale, Col Complesso Del Giocattolo / Il Merlo Maschio | CD | | CDDM 266CD |
Digitmovies release, for the first fourth dimension on CD, the complete version of the music of Riz Ortolani from the films La Prima Notte Del Dottor Danieli, Industriale, Col Complesso Del Giocattolo ("The Lovemakers") and Il Merlo Maschio ("The Naked Cello"). The Lovemakers: From The Lovemakers no music has ever been previously released. Ortolani composed a cute orchestral stone beat score used ofttimes during the film, alternating with lounge music such every bit a passionate version of the shake in a hotel night club. The Naked Cello: A 45rpm EP was previously released for this moving picture. This soundtrack is based on a recurring classical score, followed by a cello and orchestra, and recalled once more with a stone arrangement refrain. For both the soundtracks we were able to admission the stereo principal tapes from the recording sessions. The Lovemakers was directed in 1970 past Gianni Grimaldi. Carlo Danieli is a well-hung, womanizing business magnate from Sicily. He marries the beautiful Elena, but on their first dark together he discovers she is even so a virgin. Being used to promiscuous women, Carlo is shocked by the discovery and is not able to consummate the marriage. He confides in a doctor, but the doctor has a big oral fissure and soon the news is spread. Even Elena's female parent Donna Virginia finds out and and then she goes to the couple to help them. Carlo tries every remedy possible. He puts himself in baroque situations with double and triple meanings -- usually quite vulgar. He starts drinking big quantities of Pozzillo, which was known for its therapeutic properties for those suffering from erection problems. The Naked Cello was directed in 1971 past Pasquale Festa Campanile. The film centers around the life of a person in the Philharmonic Orchestra of the Arena of Verona. Niccolo Vivaldi is a frustrated cellist in a rut in his career, scoffed by his colleagues, and neglected by his conductor. He starts photographing his beloved wife Costanza in racy poses to and then testify off to his best friend, Cavalmoretti, and to his colleagues in the orchestra. Costanza loves her married man and accepts his request to appear nude in front of xx,000 spectators who crowd the Arena. Consumed by his obsession, Niccolo ends up in a mental infirmary where he continues to brag most having a beautiful wife. |
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Artist | Title | Format | Label | Catalog # |
| Una Ragione Per Vivere E Una Per Morire | CD | | CDDM 293CD |
Digitmovies present Riz Ortolani's complete original soundtrack for the 1972 spaghetti western Una Ragione Per Vivere Due east Una Per Morire ("A Reason to Live, A Reason to Die"). Riz Ortolani composed ane of his best scores during his long career with this one, an epic symphonic score where a heroic main theme played by horns and orchestra follows the grouping of courageous men to their deaths. At the time this original soundtrack was recorded no LP or EP singles were released, but one tune was included equally the first rail on the B side of a rare Japanese album on the soundtrack for the 1973 movie The Amazones (aka "Le Guerriere Dal Seno Nudo"). First CD reissue. |
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Artist | Championship | Format | Label | Catalog # |
| Una Ragione Per Vivere East Una Per Morire | LP+CD | | LPDM 011LP |
LP version. 180 gram vinyl. Includes CD. Digitmovies present Riz Ortolani's complete original soundtrack for the 1972 spaghetti western Una Ragione Per Vivere East Una Per Morire ("A Reason to Live, A Reason to Die"). Riz Ortolani equanimous ane of his best scores during his long career with this one, an epic symphonic score where a heroic primary theme played by horns and orchestra follows the grouping of courageous men to their deaths. At the time this original soundtrack was recorded no LP or EP singles were released, but one tune was included equally the get-go track on the B side of a rare Japanese album on the soundtrack for the 1973 moving-picture show The Amazones (aka "Le Guerriere Dal Seno Nudo"). |
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Artist | Title | Format | Characterization | Catalog # |
| 24-hour interval Of Anger | LP | | Blood-red 241LP |
Dagored present a reissue of Riz Ortolani's soundtrack for the 1967 film Day Of Anger. The soundtrack was originally released on vinyl in 1970. A really great western soundtrack from the giant Riz Ortolani for the 1967 cult movie Day Of Acrimony starring the mighty Lee Van Cleef and Giuliano Gemma. Mixing the usual western elements, Morricone style, with some incredible great touches with jazzy horns and loud electric guitars, Ortolani brings a new jazz verve into the "spaghetti" western sound. The electrifying primary theme was used by Quentin Tarantino for his Impale Beak (2003) and Django Unchained (2012) movies. Includes the original mono score along with 11 stereo mixes on vinyl for the first time. Orangish vinyl; Edition of 500. |
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Creative person | Title | Format | Characterization | Catalog # |
| Nella Stretta Morsa Del Ragno | LP | | RED 231LP |
Dagored present first time Riz Ortolani's consummate score for Nella Stretta Morsa Del Ragno (1971) on vinyl. A dark and heavy sound for this incredible instrumental soundtrack composed by the bully Riz Ortolani for the cult movie Nella Stretta Morsa Del Ragno, directed by Antonio Margheriti and starring Klaus Kinski and Anthony Franciosa. Heavy guitars, piano suites, harpsicord passages, deep bass all over in a fantastic mix very similar to Ennio Morricone's horror soundtracks of the period. Comes in a deluxe embossed cover. Edition of 500 on bloody red vinyl. |
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Creative person | Title | Format | Label | Catalog # |
| | LP | | Ruddy 207LP |
2014 release. Riz Ortolani's soundtrack for Il Consigliori (1973) is a varied mix of elements, approaches, and methods, and information technology will satisfy collectors searching for depth and emotion in their soundtracks. Ortolani bravely experiments with a certain pop sound, moving through devastating moments of love and explosions of brass to represent the violence and the activity. Light-hearted at some moments and brooding at others, Il Consigliori serves up prime Riz for cult Italian soundtrack fans, while also serving equally a slap-up reminder of Ortolani's seldom-matched musical greatness on the silver screen. Deluxe reissue on LP, remastered with audiophile quality. |
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